Cinema has lent itself as a medium for minorities and the dispossessed to challenge their marginality through storytelling.
Cinema has lent itself as a medium for minorities and the dispossessed to challenge their marginality through storytelling.

In May, we explore the landmark films of queer cinema that came out of the celluloid closet, from the ground-breaking, long banned, Un Chant DíAmour, to the debut film by the Wachowski sisters, Bound.

And in the second part of this series this June, we take a journey through the Middle East and Africa and engage with womenís stories, from Julie Dashís ground-breaking Daughters of the Dust and Michel Khleifiís debut feature, Fertile Memory, about Palestinian women living under occupation.